Good As Gone — who wrote it?

ISWC T0733544916 ✓ No disputed shares

Good As Gone was written by Phillip Sweet, James Lee Westbrook, Philip Sweet, Wayne Kirkpatrick, Karen Renee Fairchild, Kimberly Roads. US mechanical royalties are collected by Warner-tamerlane Publishing Corp. (50%), Concord Road (50%).

Writers

credited writers

Publishers & admins

2 collecting groups

Linked recordings

111

matched to this work

Share registered

100%

fully registered

Unclaimed

—

below 1% threshold

Who collects the mechanical royalties

US mechanical shares as registered at The MLC · each writer’s chain: writer → publisher → administrator.

Warner-tamerlane Publishing Corp. 50%Warner-tamerlane Publishing Corp. · 50%

Concord Road 50%Concord Road · 50%

Warner-tamerlane Publishing Corp. 50% Concord Road 50%

- Warner-tamerlane Publishing Corp.
  Warner-tamerlane Publishing Corp.
  50%
- Concord Road
  Concord Road
  50%
Phillip SweetUnclaimed
Composer / Lyricist
No publisher collecting
James Lee WestbrookUnclaimed
Composer / Lyricist
No publisher collecting
Philip SweetUnclaimed
Composer / Lyricist
No publisher collecting
Wayne KirkpatrickUnclaimed
Composer / Lyricist
No publisher collecting
Karen Renee FairchildUnclaimed
Composer / Lyricist
No publisher collecting
Kimberly RoadsUnclaimed
IPI 00354531177 · Composer / Lyricist
No publisher collecting

Writer / Publisher / Administrator	IPI	Collected by	Role	Share
▸Writer not listed	—		—	100%
Warner-tamerlane Publishing Corp.	00185314175	Warner-tamerlane Publishing Corp.		50%
Concord Road	01103121540	Concord Road		50%
Phillip Sweet	—	No publisher collecting	Composer / Lyricist	Unclaimed
James Lee Westbrook	—	No publisher collecting	Composer / Lyricist	Unclaimed
Philip Sweet	—	No publisher collecting	Composer / Lyricist	Unclaimed
Wayne Kirkpatrick	—	No publisher collecting	Composer / Lyricist	Unclaimed
Karen Renee Fairchild	—	No publisher collecting	Composer / Lyricist	Unclaimed
Kimberly Roads	00354531177	No publisher collecting	Composer / Lyricist	Unclaimed

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Missing ISWCs, unclaimed shares and split catalogues cost songwriters royalties. We find them and help fix them at The MLC.